Archive for January, 2008

Hangar 18: Hip-hop Babylon

The GodsHangar 18 is a crew from the Capital of Hip-hop: New York City. Over the past several years of live shows, staying at my house, drinking, and shit-talking, the emcees — Alaska and WindnBreeze — have become good friends of mine. I’ve been wanting to nail down an interview with them for a minute now, and, finally, Alaska conceded. Read more

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Blade Runner Redux

Just when I thought I’d missed it, The Laurelhurst Theater here in Portland brought Blade Runner: The Final Cut back around (I wasn’t here when it first played, and somehow, I missed the movie’s original release, though during that same time I managed to see all three original Star Wars movies as they came out). Thankfully Ridley Scott’s upgrades are subtle. He didn’t feel the need to George-Lucas it up with obvious and jarring new scenes and CGI. The changes are relatively seamless. Read more

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Guest Post: Aesop Rock on Scones

Aesop Rock is truly tortured by scones.What the fuck is up with scones? A muffin, I understand. A muffin is a nice plump soft cake-like flavored breakfast treat, best when fresh, and even better warm. It makes total sense to me. Wake up, coffee, muffin: Cool. Not necessarily my “thing,” but okay, fine. Read more

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Defence Against Weapons of Mass Distraction

In a post called “Kill Your Email” on his guest blog on the Powell’s site, best-selling author Neil Strauss made the statement that “most of us are constantly busy but not constantly productive.” It’s a simple, but key insight. At what point does your day consist of more distractions than plans? There’s a threshold in there somewhere, and finding it is crucial not only to getting things done, but to enjoying your everyday existence. Read more

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Recurring Themes, Part Six: Sleeper Artifacts

“The essence of culture is found in all its artifacts.” — Pete Robinson in Donald Antrim’s Elect Mr. Robinson for a Better World

During one of our mid-session chats at the skatepark recently, my friend Greg mentioned that a lot of the older guys he skated with at various parks, guys who’d skated back in the late 70s and early 80s, started skateboarding again after seeing the Dogtown and Z-Boys documentary. I don’t know why, but this struck me as an odd phenomenon. I guess because it was a halo effect I hadn’t thought about. Read more

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The Disintegration of the Compact Disc

The Cure — DisintegrationWhen The Cure was recording their 1989 record, Disintegration, Robert Smith said it was the first time that they went into the studio knowing that they’d be recording for a release on compact disc, which meant they could shoot for over an hour of music. “Disintegration is the first real CD-LP,” he claimed, “It was about time the musicians learned to use this format: instead of two twenty-minute sides of an LP, you now have a seventy-minute stream of music without interruptions.” The LP had restricted bands to a runtime of forty-five minutes, but with the advent of CD came additional time to record songs (”bonus tracks,” anyone?). Read more

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Christian Marclay mini-documentary

Artist Christian Marclay has been manipulating records and turntables in a very un-Hip-hop manner since anyone else has (Hip-hop or otherwise). As someone who creates new compositions out of old ones using turntables and records, he very well might be the first turntablist. Read more

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The Architect’s Brother Revisited

“Kingdom” by the ParkeHarrisonsRobert and Shana ParkHarrison’s exhibit, The Architect’s Brother, has been one of my favorite statements on our relationship with our technology and our planet since I first saw it in San Diego almost four years ago. This time around, I caught the display — including several pieces I hadn’t seen before — at The Mary Brogan Museum of Art and Science in Tallhassee, Florida. Read more

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Predicting the Present

Daniel Pinchbeck once wrote that traditionally the job of the writer was to “define the zeitgeist,” what Marshall McLuhan referred to as “predicting the present.” Now everyone is a writer, and the zeitgeist is defined by an algorithm, which is probably much more precise. Like time itself, the zeitgeist moves. With the imperceptible passing of the present, it changes from moment to moment. Read more

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