I think “round glasses” is the only accurate part of this: a new theme from Findings.com:
Gibson‘s favorite book is Do Androids Dream of Electric Sheep? He has no more than four cats, no less than three. Gibson doesn’t open a terminal, Gibson boots in terminal. Gibson adjusts his round glasses, swigs some more coffee, and types “swordfish.” “I’m in!” he declares.
In the March 19, 1990 issue of Newsweek, they unsurprisingly attack Hip-hop with everything from unfettered racism to ignorant fear-mongering. I say “unsurprisingly” because in March of 1990, rap music was still the bane of popular culture. Yo! MTV Raps had barely started its decade-long run, N.W.A. had yet to release records from their separate ways, Public Enemy was just on the verge of dropping Fear of a Black Planet, and Tipper Gore’s PMRC was advising parents not to let their kids listen to rap. In Newsweek‘s cover story, “Rap …
Anyone who questions the lyrical skills of Aesop Rock isn’t listening carefully enough. Or at all. His records reward the repeated listen, the close reading, the attentive ear. His beat-building abilities are on par with his bars making him the complete Hip-hop package. Put that together with his visual art background and his knack for surrounding himself with creative friends of all stripes, and you’ve got one of the most interesting artists of the twenty-first century.
I met Aes in 2005 while backstage at the Showbox in Seattle, and though I …
Thanks in part to my dude Tim Baker over at SYFFAL, I’ve come up on a gang of nice new Hip-hop stuff. I’ve been blasting it here at the office so much that I decided to throw together a mixtape and post it up. Here’s the tracklist, and the mix is embedded below. Enjoy.
nomadboy: Ill Ish [runtime: 44:43]:
01. Fan Ran (ft. Skweeky Watahfawls & Johnny Ciggs) “Hunnid Dolla Bills”
02. Mr. Muthafuckin’ Exquire (ft. Despot, Das Racist, Danny Brown & El-P) “The Last Huzzah!”
03. Thad Newman “Graveborn”
04. Gritty City Fam “What …
When it comes to my interests, I am extremely prone to phases. I will read about nothing but architecture or cyberpunk for a months straight, or listen to nothing but prog rock or black metal for three years.
It always swings back tough. Way back. I typically find that my all-time favorite stuff is way out by the edges. When it swings back, as it has recently, I often wonder what grounds it. In trying to find some sort of middle, I constructed the following chart:
I Tweeted not long ago that …
Though he rarely gets his due outside of hardcore heads, Ice-T has always been one of Hip-hop’s best storytellers. Songs like “6 ‘N the Mornin’” (1987), “Colors” (1988), and “Drama” (1988) set the bar high for poetic narrative. These songs were gritty tales from the streets of L.A., “gangsta rap” before it was so-called (back then Ice-T called it “crime rhyme”). Now he’s set out to tell the story of Hip-hop itself in the documentary Something from Nothing: The Art of Rap (Indomina, 2012).
In addition to his pedigree as an …