Significant advances in technology are disruptive. They are beginnings. They are bifurcations. They are the initial conditions from which our media is born. As Jean Cocteau once put it, “The public does not like dangerous profundities; it prefers surfaces” (1972, p. 316). Feared and disparaged at first, technological contrivances are eventually welcomed in and change our world. They literally change our minds. They change our relationship with our world and with each other. Not unlike learning new words, every new advance is a new addition to our media lexicon. Our media …

Having grown up with a kid sister, I have often been fascinated with our similarities and differences. There are myriad examples of both, but our ways in the world and the way we see them are very different. When siblings emerge from the same nature and nurture to much different ends, the multifinality of their paths begs investigation. When they go on to excel in completely different fields, questions abound. The Baldwins, Cusacks, Gyllenhaals, and Arquettes are less interesting.
Richard Patrick was the guitarist in Trent Reznor’s first incarnation of Nine …

A wing is a bridge. Flight is a ride on that bridge from take-off to landing. Dinosaurs became bipedal, balancing their large bodies on two legs via counterbalancing tails. Eventually the same biological process—or set of processes between biology and environment—morphed wings, and thereby, flight. Using this transition as a metaphor is an trip we might do well to take.
Write to the nth power, the n-1 power, write with slogans: Make rhizomes, not roots, never plant! Don’t sow, grow offshoots! Don’t be one or multiple, be multiplicities! Run lines, never …

Writer, filmmaker, instigator, and revolutionary, Guy Debord is probably best known for his involvement with the Situationist International (McKenzie Wark calls him their “secretary”) and their concepts of the dérive and détournement, the former of which is one of the core ideas of psychogeography, and the latter of which went on to define the culture jamming movement. Their slogans were the words on the walls during the May 1968 uprisings in France. They published the proto-Adbusters of the time, and their spirit hangs heavy over the work of Shepard Fairey, Banksy, Joey Skaggs, …

I finally have a new piece up on the ESPN BMX site. This one is about the generational differences between first and second generations of riders. Heraclitus once wrote that generations turn over every thirty years. Well, it’s about that time.

You’re right, Roy, you’re hopeless. Hopelessly obsessed with a time in your sport that died a long time ago… — McGoo

Here’s an excerpt:

The experience of a BMXer today is much more likely to be mediated by technology than it was in the ’80s. Given the proliferation of technology …

Few actors have had careers anywhere near as diverse and dynamic as Nicolas Cage. A member of the Royal Coppola Family, Cage has been in everything from goofy teen comedies like Fast Times at Ridgemont High (1982) to mind-blowing, block-busting adventures like National Treasure (2004). His acting agility is abetted by his willingness and ability to take on challenging roles that other thespians of his caliber wouldn’t think of accepting — and pulling them off without dumbing them down. As Roger Ebert once put it,
There are often lists of the …

I’ve been thinking about all of the ways we change our world with our technology for years now, but more so lately as my book-in-progress, The Medium Picture, comes into better focus. This talk itself is brand new and not quite complete. Regardless, I decided to take my own advice and get it out there. I did this one for the first time at SXSW Interactive 2011. Judging by the post-talk discussion, these ideas are generative if not fully formed. In what follows, I expand my speaking notes, including bits …

I mentioned earlier that it’s often difficult for adults to trust the youth, but that it’s imperative. Letting youthful vision lead is the only way into the future. Well, Tyler the Creator and his Odd Future crew aren’t waiting for permission, approval, or funding — much less trust — from anyone. They are doing it, and doing it big.

Everyone can stop mongering the minutia of Radiohead’s every move. Though they’ve done nothing but smart things since parting ways with the past, they were already famous in three solar systems when …

In the June, 1987 issue of FREESTYLIN’ Magazine, underground BMX rider and zine-maker Carl Marquardt described a ramp trick he called a “flakie”: a backflip fakie air. His friend and fellow rider Paul Mackles had offered him $100 if he pulled it. Three years later, Mat Hoffman did the damn thing at a contest in Paris. In his usual methodical style, Mat worked on it in secret in Oklahoma for months beforehand. As he puts it in The Ride of My Life (Harper-Entertainment, 2002), “To make it, I needed at …

When I was six years old, I propped a 2×4 up on a brick in our driveway and jumped my Evel Knievel Signature Schwinn Stingray a few inches less than a foot off the ground. My grandfather saw me trying to achieve escape velocity and told me to keep it up, that it would “earn me some money one day.” Well, I’m still pedaling toward inclined planes attempting to leave the earth’s surface, but I’ve never earned a dime doing it. The point is not my inability to parlay my propensity …