DJ Spooky’s Tanna Center for The Arts

September 06th, 2010 | Category: Announcements

DJ Spooky is planning an artist’s retreat on the island of Tanna in the archipelago of Vanuatu. Here is the Kickstarter project description:

The Project – Tanna Center for the Arts will be a 6-hectare/14.8-acre off-the-grid artists retreat, cultural preservation and technological education space. Its site is situated on the island of Tanna’s northern up country in the archipelago of Vanuatu.

Our vision is to build an eco-haven using a majority of local materials and talent, engineer it using energy efficient design fueled by renewables, and fortify global understanding of one another and the changes we face together by making art to share with the world in this inspiring place.

The Goals – Preserve local communities, language & pristine lands through collaborative art & tech projects. Engage Tanna’s youth in applying select mainland technologies that serve island tradition. Invite artistic and inventive exchange with a global art community in a retreat and creative lab at The Center. Create a project that is candid about navigating the competing economic, cultural and ecological aims presently confronting island nations.

The Motives – To preserve his culture, respected island leader Isso Kapum – son of Chief Jack Kapum of the Naihne Tribe – reached out to Paul D. Miller (aka DJ Spooky) to create opportunities for Tanna’s native population through an artist retreat. This can generate jobs, cultural exchange and, most importantly, training for youth who leave home in search of work. Training in sustainable construction, water & waste management, permaculture, and renewable technologies can offset this loss. These practices have been extinguished from the culture and are needed for the survival of Tanna’s eco-system, currently threatened by status quo, carbon-heavy practices.

Building skillsets for Tanna’s youth that drive a localized, sustainable economy along with international tourism remain key aims expressed by island leaders. Bringing artists who’s work and acclaim can magnify global awareness of both climate and cultural concerns faced by the Tannese is one way Paul feels such aims can be met.

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