It’s December and time to reassess the year, and 2011 is a joy to revisit. It was easily my best year ever personally. I signed a book deal, spoke at several conferences with some of my best friends, got engaged to a wonderful woman, built some new bikes, redesigned my website (finally), and finished coursework and comprehensive exams on my way to a Ph.D., among other things.
This year was crazy, from the death of Steve Jobs and Occupy Wall Street to the ramping up of some sort of political …

Sam Seidel is a progressive pedagogue. He chronicles his forays into education reform on The Husslington Post. In his new book, Hip-Hop Genius: Remixing High School Education (Rowman and Littlefield, 2011), he drops science on the High School of Recording Arts, where he’s implemented many aspects of the four elements in the classroom. In what follows, we discuss the book, the classroom, and how Hip-hop can help education come correct in the twenty first.

Roy Christopher: Most would agree that modern education needs an upgrade. How can Hip-hop help in this …

In 1997, I wrote a piece about turntablism for Born Magazine called “Band of the Hand.” Years later, I wrote a related piece for Milemarker‘s now defunct Media Reader magazine, called “war@33.3: The Postmodern Turn in the Commodification of Music.” I’ve been revisiting, remixing, and revising these previous thesis pieces ever since. I eventually combined the two and posted them here, but I’ve also written other things that spin off from their shared trajectories.
This week, I am proud to be guest-tweeting for Mark America’s remixthebook (Univeristy of Minnesota Press, 2011). In addition, I posted …

A Tribe Called Quest has trudged through many of the clichés of fame and ego and somehow managed to keep their classic status untarnished. The first time I heard Q-Tip was on De La Soul‘s 3 Feet High and Rising (Tommy Boy, 1989). I was instantly a fan, and A Tribe Called Quest was immediately placed on my radar. These four dudes, Q-Tip, Phife Dawg, Ali Shaheed Muhammad, and Jarobi (A, E I, O, U, and sometimes Y) all met in high school. Their first release, People’s Instinctive Travels and the …

“I remember distinctly my first impression of him,” Henry Miller once described his first meeting beat writer and poet Kenneth Patchen, “It was that of a powerful, sensitive being who moved on velvet pads.”  My first meeting Will Brooks gave me a similar impression. Miller continues,
I feel that it would give him supreme joy to destroy with his own hands all the tyrants and sadists of this earth together with the art, institutions and all the machinery of everyday life which sustain and glorify them. He is a fizzing human …

In the 1980s, professional skateboarder Mark Gonzales used to disappear from media coverage for months at a time and every time he would return, he’d introduce the next, new trick. Once it was the kickflip, once the the stalefish, but he always set off a new trend. Antipop Consortium have cut a similar path. Their records are few and far between, but they always bump the bar a bit higher than it was before. Their 2002 record Arrhythmia (Warp) set the tone for 21st century metaphysical Hip-hop, and after a …

The turntable is easily the most iconic cultural artifact associated with Hip-hop, but the advent and adoption of the boombox had as much to do with its spread and tenacity. Before raps were on the radio, they were on the tapes. Think of the turntable and the microphone as the senders and the boombox and the cassette as the receivers: without recording and playback, Hip-hop wouldn’t have lasted long. The already choked socioeconomic conditions from which it sprang could’ve buried it like so much tape hiss. Two recent books explore …

After much hemming and hawing and discussion, Aesop Rock finally took the web plunge and launched his own website. Though Aes has been active online for a minute (e.g., on the now defunct DefJunkies discussion boards, on Twitter, and on 900 Bats), this marks the official launch of his own spot online. The cat belongs to photographer Chrissy Piper. His name is Andy.

In his defense, the man has been busy with several records by him and his friends (Rob Sonic, DJ Big Wiz, Kimya Dawson, et al.). Here’s the latest …

I mentioned earlier that it’s often difficult for adults to trust the youth, but that it’s imperative. Letting youthful vision lead is the only way into the future. Well, Tyler the Creator and his Odd Future crew aren’t waiting for permission, approval, or funding — much less trust — from anyone. They are doing it, and doing it big.

Everyone can stop mongering the minutia of Radiohead’s every move. Though they’ve done nothing but smart things since parting ways with the past, they were already famous in three solar systems when …

On February 10th, 2011, Chuck D, Common, and Joan Morgan assembled in the brand new Student Activity Center at The University of Texas campus in Austin. It was an evening comprised of in-depth discussion, astute analysis, and the usual gripes.

If you know me, you know that Public Enemy is one of my all-time favorite groups regardless of genre. Their It Takes a Nation of Million to Hold Us Back (Def Jam, 1988) is not only what I consider the best record ever recorded, but was crucial in my lifelong fandom …