I’ve been holding off on writing about WALL-E as I felt it needed to marinate for a while. There are so many things to comment on, I scarcely know where to start. I’ve seen the movie twice now, and it could definitely stand several more viewings. The accolade is often used recklessly, but WALL-E is the very definition of an “instant classic.”
Though I don’t care for Disney otherwise (or particularly any other animation outfit), I’m a dedicated Pixar fan. After last year’s absolutely abortive and formulaic Ratatouille, WALL-E is a …

These are two images depicting extreme technological mediation that I’m hoping to include in the final book on this topic.

This part of my interview with Eugene Thacker from last year has been haunting my attempting-to-sleep head lately:
If metaphors are concepts that we forget are metaphors, then it seems important to remind ourselves of the tropic nature of such central concepts as the genetic “code.” Not only does this invite us to think otherwise (to think about alternative metaphors), but it is also an invitation to rethink the entire relation between metaphor and materiality itself.
I’ve been thinking very hard lately about these two spaces: the space where we acknowledge …

At the beginning of every story, there is a phase during which one feels a bit disoriented: the first pages of a novel, the first scenes of a movie or play, the first song of a record, the part of the performance where the audience members are still finding their seats.

Though Gutenberg’s printing press represents what Marshall McLuhan referred to as the first assembly line — one of repeatable, linear text — and is what made large-volume printed information a personal, portable phenomenon, the advent of the telegraph brought forth the initial singularity in the evolution of information technology. The telegraph enabled the bifurcation of communication and transportation, and information became a commodity. As Neil Postman put it, “…telegraphy created the idea of context-free information — that is, the idea that the value of information need not be tied to …

I am finding more and more of my thinking gets worked out in notebooks and journals. Recently having access to a scanner, I thought I’d share some pages.

So, the latest Oprah Book Club phenom has come under fire as a fraud. The Smoking Gun has called out many factual discrepancies in James Frey’s A Million Little Pieces. Now, I haven’t read the book or the accusations — nor do I plan to — so, if you’re looking for commentary on that, you’ll have to look elsewhere. The whole to do has gotten me thinking about language and reality, so I’m just using the controversy as an occasion to talk about words.