Though he said that he shouldn’t go on camera after we’d been up all night (this was during SXSW after all), he makes a lot of sense (as usual): Dave Allen’s interview with Brian from CD Baby on musicians and the internet

Gene Simmons must be one of the most polarizing personalities on the planet. He co-founded one of the most controversial bands of the 70s, has allegedly had his way with thousands of women, has run magazines, written books, hosted talk and reality shows,* and has revolutionized merchandising. I’ve always had a soft spot for The God of Thunder, but I’m not surprised when I find someone who hates him.

My friend and fellow Hip-hop nerd Tim Baker (a.k.a. Alaska of the legendary Hangar 18) has busy been compiling the Top Ten-est Rap records ever over at Philaflava’s Steady Bloggin’. I don’t agree with all of them (agreeing wholesale would be more of a problem, wouldn’t it?), but we’re in accord for a lot of it.
They’re a good read regardless, and here’s Number 3:

Having never been and having skipped the bedlam of SXSW last year (the first since I moved to Austin), I decided I’d jump in with both feet this year. I registered for the Interactive side and just hoped my music friends could take care of me on the Music side. Nine days straight of exhausting good times: I was not disappointed.
At early registration on Thursday, I finally met Bruce Sterling IRL. More on him in a minute. On day two, I had a brief but great chat with Doug Rushkoff …

Strange synchronicities abound lately, and this past week a few of them broke through the veil and showed themselves in all of their geeky glory. As Charles Eames once said, “Eventually everything connects.”

Under the banner of “’cause motherfuckers are bored,” Definitive Jux has been bringing its brand of boom bap to the masses for over a decade. Label co-founder and artist in his own right, El-P has been challenging preconceived notions of what it means to do Hip-hop since the early 90s when he was one-third of the germinal crew Company Flow. His ability to channel his frustrations with the world, the music, and himself into creative output is largely responsible for his abrasive sound, as well as that of his label’s …

Described as “the most widely demonized and vilified music scene in rock history,” (O’Hehir, 2009), the Norwegian black metal scene of the late 80s and early 90s took Black Metal to new extremes. The bands and fans all wore head-to-toe black leather, wrist- and arm-bands and boots with spikes or nails, and black and white “corpse paint.” Aaron Aites and Audrey Ewell’s Until the Light Takes Us (2009) tells the story of the scene in stark tones and up-close interviews.
Members of the bands Mayhem, Burzum, Immortal, and Emperor provide more …

From Kembrew McLeod:
Word up! I want to introduce my alter ego, RoboProfessor, who just finished a dance music video about digital sampling and copyright law, with an interactive component. Here’s the website: http://www.robotainment.net/musicvideo
Also, below is all the info you need about next week’s launch of Copyright Criminals. Please forward this to any interested parties, and feel free to post anywhere!
Best,
-KM
Can you own a sound?
Copyright Criminals, a documentary produced by Benjamin Franzen and Kembrew McLeod, examines the commercial and creative value of musical sampling, including the ongoing debates about artistic expression, copyright …

I’ve often quoted my friend and fellow writer Adem Tepedelen as saying that “heavy metal isn’t dead, it’s just wounded and pissed off.” If there’s anyone who would agree and who has set out to prove that adage, it’s Albert Mudrian.

His first book, Choosing Death: The Improbably History of Death Metal and Grindcore (Feral House, 2004), traces the, well, improbable roots and history of two of the most extreme and enduring subgenres of metal, from the teenagers who started Napalm Death and Godflesh to the teenagers who buy In Flames …

So, I was watching the Kevin Spacey movie Shrink (2009) yesterday, and I couldn’t help but notice that the score sounded very similar to the one for Friday Night Lights (2004) that Explosions in the Sky did. I opened up my laptop and found out that the movie Shrink was scored by Brian Reitzell… type, type, type… enhance… type, type, type… who produced the Friday Night Lights soundtrack… and used to play drums for Redd Kross. He is also credited with coaxing Kevin Shields out of hiding to do work …