I’ve been weathering the wilds of William Gibson quite a bit lately. I’ve been reading several books by and about him and his work for months now. Having just finished the Bigend trilogy —  Pattern Recognition (2003), Spook Country (2007), and Zero History (2010) – and finally chewing through Distrust That Particular Flavor (2012), I am engrossed in the greys of the Gibsonian. But, even if you’re not obsessed with his work, you’re immersed in his world. As novelist Luke Monroe put it to Gibson on Twitter recently, “of all the speculative …

Grant Morrison describes his growing up through comics books as a Manichean affair: “It was an all-or-nothing choice between the A-Bomb and the Spaceship. I had already picked sides, but the Cold War tension between Apocalypse and Utopia was becoming almost unbearable” (p. xiv). Morrison’s first non-comic book, Supergods (Spiegel & Grau, 2011), is one-half personal statement, one-half art history. It’s an autobiography told through comic books and a history of superheroes disguised as a memoir. His early history of superhero comics is quite good, but it gets really, really …

Any web wanderer worth her bookmarks knows that William Gibson coined the term for the spaces and places that we all explore online. So strong was the word that one large software company attempted to trademark it for their own purposes (Woolley, 1992). So many such ideas have been co-opted by others that Gibson has jokingly referred to himself as “the unpaid Bill” (Henthorne, p. 39). We have recently been called “people of the screen” by some other big-name dude, but this idea was evident in Gibson’s early work some …

Like birthdays, the end of the year always brings about a recounting of the previous twelve months. We reassess our existence every year, every ten years, every one hundred… Human and technological movements are cyclical. Heraclitus once posited that generational cycles turn over every thirty years. By that metric, the personal computer revolution has run its course, and with it, the cyberpunk genre. Running its course doesn’t mean it’s over. It means it has been assimilated into the larger culture. What was once weird and wild is now a normal part …

Yep, nearly five years after its release, Follow for Now is now available at BookPeople in Austin, Texas. As you can see in the photo below, it’s in the General Science section, and I am quite proud.

It’s also in Cyberculture & History, and right now, in the New Arrivals.

So, if you’re in Austin and don’t have a copy, stop by and get yours.
Many thanks to Michael McCarthy and everyone at BookPeople for their support. And to you for yours.

This week marks the ten-year anniversary of Richard Kelly’s Donnie Darko. In the time since its inauspicious, post-9/11 release, it has become my favorite movie ever. At the height of my obsession with it, I attended a midnight screening of the director’s cut at The Egyptian Theatre in Seattle. During the trivia contest that preceded the movie, I was asked to sit out due to my answering all of the questions. The movie struck something in me, and I am certainly not alone. As Kelly himself put it, “I think …

Though he’s better known as the paragon of paraspace, in the Sprawl of his numerous novels, William Gibson has explored the future of cities as much as any urban theorist, expanding upon the topography of late 20th-century exurban development with astute accuracy. “The record of futurism in science fiction is actually quite shabby,” Gibson says in an interview in the Paris Review. “Novels set in imaginary futures are necessarily about the moment in which they are written. As soon as a work is complete, it will begin to acquire a …

As usual, the Summer Reading List is the time of year when I ask a bunch of my bookish friends what they’re reading. It’s always a good time, and this year we have newcomers and old friends Howard Rheingold, Michelle Rae Anderson, and Zizi Papacharissi, as well as Summer Reading List vets like Alex Burns, Cynthia Connolly, Steven Shaviro, Ashley Crawford, Peter Lunenfeld, Erik Davis, Michael Schandorf, Patrick Barber, and Brian Tunney.
As always, the book links on this page will lead you to Powell’s Books, the best bookstore on …

Our man Steve Aylett has been busy. Not only is the Lint movie set for release next year, but he has a new collection of short stories out, and an anthology of the “Accomplice” novels, as well as a new edition of The Inflatable Volunteer, all of which would make excellent Christmas presents. There’s also this nifty item right here, but here’s the news as received from the man himself:
Smithereens collects 19 Steve Aylett stories including ‘The Man Whose Head Expanded‘, ‘The Burnished Adventures of Injury Mouse’, ‘Voyage of the …

In his book Speaking into the Air (University of Chicago Press, 1999), John Durham Peters points out that if telepathy — presumably the only communication context more immediate than face-to-face interaction — were to occur, how would one know who sent the message? How would one authenticate or clarify the source? Planting an idea undetected into another’s mind, subconsciously in this case, is the central concept of Christopher Nolan’s Inception. [Warning: I will do my best to spoil it below.]

Looking down on empty streets, all she can see
Are the dreams …