<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: What Means These Screens? Two More Books</title>
	<atom:link href="http://roychristopher.com/what-means-these-screens/feed" rel="self" type="application/rss+xml" />
	<link>http://roychristopher.com/what-means-these-screens</link>
	<description>I marshal the middle between Mathers and McLuhan.</description>
	<lastBuildDate>Fri, 11 May 2012 20:31:18 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
	<item>
		<title>By: Return to Cinder: Supergods and the Apocalypse &#124; Roy Christopher</title>
		<link>http://roychristopher.com/what-means-these-screens/comment-page-1#comment-8453</link>
		<dc:creator>Return to Cinder: Supergods and the Apocalypse &#124; Roy Christopher</dc:creator>
		<pubDate>Tue, 20 Dec 2011 19:26:15 +0000</pubDate>
		<guid isPermaLink="false">http://roychristopher.com/?p=3054#comment-8453</guid>
		<description>[...] With that said, I found Supergods enthralling, much in the same way I found the screen stories of Tom Bissell&#8217;s Extra Lives. Intergalactic narrative notwithstanding, Morrison&#8217;s prose seems both carefully constructed [...]</description>
		<content:encoded><![CDATA[<p>[...] With that said, I found Supergods enthralling, much in the same way I found the screen stories of Tom Bissell&#8217;s Extra Lives. Intergalactic narrative notwithstanding, Morrison&#8217;s prose seems both carefully constructed [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Headroom for Headlines: News in the Now &#124; Roy Christopher</title>
		<link>http://roychristopher.com/what-means-these-screens/comment-page-1#comment-8347</link>
		<dc:creator>Headroom for Headlines: News in the Now &#124; Roy Christopher</dc:creator>
		<pubDate>Tue, 06 Dec 2011 20:33:50 +0000</pubDate>
		<guid isPermaLink="false">http://roychristopher.com/?p=3054#comment-8347</guid>
		<description>[...] &#8220;death of print&#8221; sentiment or trying to rehash the arguments of Nicholas Carr&#8217;s The Shallows. I once called Twitter &#8220;all comments, no story,&#8221; and I&#8217;m just frustrated at [...]</description>
		<content:encoded><![CDATA[<p>[...] &#8220;death of print&#8221; sentiment or trying to rehash the arguments of Nicholas Carr&#8217;s The Shallows. I once called Twitter &#8220;all comments, no story,&#8221; and I&#8217;m just frustrated at [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Matthew Shipp / Knives From Heaven: Heavy Meta &#124; Roy Christopher</title>
		<link>http://roychristopher.com/what-means-these-screens/comment-page-1#comment-7813</link>
		<dc:creator>Matthew Shipp / Knives From Heaven: Heavy Meta &#124; Roy Christopher</dc:creator>
		<pubDate>Thu, 22 Sep 2011 16:12:50 +0000</pubDate>
		<guid isPermaLink="false">http://roychristopher.com/?p=3054#comment-7813</guid>
		<description>[...] all the technology and possibilities that we have, with all that, people are no smarter. In fact, you could argue that they are dumber and operate with less focus and concentration about what is really [...]</description>
		<content:encoded><![CDATA[<p>[...] all the technology and possibilities that we have, with all that, people are no smarter. In fact, you could argue that they are dumber and operate with less focus and concentration about what is really [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Boombox Apocolypse: From Mixtapes to Mash-ups &#124; Roy Christopher</title>
		<link>http://roychristopher.com/what-means-these-screens/comment-page-1#comment-7754</link>
		<dc:creator>Boombox Apocolypse: From Mixtapes to Mash-ups &#124; Roy Christopher</dc:creator>
		<pubDate>Sat, 13 Aug 2011 00:25:13 +0000</pubDate>
		<guid isPermaLink="false">http://roychristopher.com/?p=3054#comment-7754</guid>
		<description>[...] 2004). Unlike today&#8217;s iPods, the presence of the boombox was also a public presence. Just as we gather around some screens and stare at others alone, we once gathered around the speakers of boomboxes. When I got my first Walkman and stopped lugging [...]</description>
		<content:encoded><![CDATA[<p>[...] 2004). Unlike today&#8217;s iPods, the presence of the boombox was also a public presence. Just as we gather around some screens and stare at others alone, we once gathered around the speakers of boomboxes. When I got my first Walkman and stopped lugging [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Obscured by Crowds: Clay Shirky&#8217;s Cognitive Surplus &#124; Roy Christopher</title>
		<link>http://roychristopher.com/what-means-these-screens/comment-page-1#comment-6761</link>
		<dc:creator>Obscured by Crowds: Clay Shirky&#8217;s Cognitive Surplus &#124; Roy Christopher</dc:creator>
		<pubDate>Thu, 26 Aug 2010 17:05:42 +0000</pubDate>
		<guid isPermaLink="false">http://roychristopher.com/?p=3054#comment-6761</guid>
		<description>[...] off-. The crowd is as wise as the crowd does. Glorifying it as such, as Jaron Lanier points out in You Are Not a Gadget (Knopf, 2010), is just plain [...]</description>
		<content:encoded><![CDATA[<p>[...] off-. The crowd is as wise as the crowd does. Glorifying it as such, as Jaron Lanier points out in You Are Not a Gadget (Knopf, 2010), is just plain [...]</p>
]]></content:encoded>
	</item>
</channel>
</rss>

