Surveying the overlapping regions of mysticism, religion, media theory, postmodernism, and cyber-critique, Erik Davis makes maps of new mental territory. His book, Techgnosis: Myth, Magic and Mysticism in the Age of Information (Harmony, 1998), is a journey through the varying and plentiful connections between old-world religions and New Age technology — connections few noticed before Erik pointed them out. As Peter Lunenfeld puts it, “Davis performs alchemy, fusing disparate strands of techno-hype, mystical speculation, and hard-nosed reporting into a Philosopher’s Stone, unlocking secrets our culture doesn’t even know it has.” Continue reading “Erik Davis: Mysticism in the Machine”
Shepard Fairey: Giant Steps
You’ve seen them: “Andre the Giant has a Posse” stickers, “Obey Giant” posters, Andre’s face covering entire sides of buildings. You’ve seen them and you’ve wondered what it was all about. And once you found out, perhaps you wondered why.
Nearly the entire world has unknowingly fallen prey to Shepard Fairey’s phenomenological street-media experiment. Long-time friend Paul D. Miller recently described Shepard’s postering activities as “obsessive.” Continue reading “Shepard Fairey: Giant Steps”
Mike Patton: Life is Good
Though his time with Faith No More is undoubtedly one of the least interesting things about him, the story goes that when Mike Patton joined that band, they had their entire next record written — except for the lyrics. Patton wrote the lyrics to fit the music for their soon-to-be-multiplatinum third record, The Real Thing: no small feat. This record and the subsequent hit single/video “Epic” brought the rap/rock genre-hybrid blaring into the mainstream. Love it or hate it, popular music is still haunted by it.
The band’s masterwork, the follow-up, Angel Dust proved that the previous record’s ad hoc situation obviously held Patton back. As critically-acclaimed, expansive and beautiful as the record was, it marked the beginning of the lengthy end for Faith No More.
No matter, Mike Patton was deconstructing every other other genre in his original band Mr. Bungle. He was also kicking around solo experiments with John Zorn and by the time Faith No More finally disbanded, he had several other music projects headed in several other directions and eventually started his own record label, Ipecac Recordings (which has since released records by such artists as Kid606, dälek, Melvins, James Plotkin, Isis, and Skeleton Key, as well as Patton’s own projects Tomahawk, Fantômas, Peeping Tom, etc.).
Patton maintains an almost cartoonish public facade. If you’ve ever witnessed Mr. Bungle or Fantômas live, you know exactly what I mean. “He’s crazy,” is often said in reference to him. Under the mask though, is a true artist in ever respect of the word.
“Mike Patton is one of those guys who does whatever he wants,” Rob Swift of the X-ecutioners told me recently (Rob and the X-men are working on a record with Patton for Ipecac). “As crazy as it may sound, as goofy as it may sound, he tries it. Working with him has helped me be a little less inhibited about trying things that may not be what people are expecting.”
By now, fans of Mike Patton’s work have come to expect anything and everything. The following brief interview keeps coming back to the same point: Mike Patton does what he wants, unfettered by anyone’s expectations.
Roy Christopher: You’ve seen just about every side of the music industry — from heavy rotation on MTV and SPIN cover stories to decidedly obscure sonic experimentation. Do you see the current musical milieu as one where artists — if they so choose — can truly express themselves and gain exposure at a level where potential listeners will find their output?
Mike Patton: I think you are looking at it in a different way than I do. As an artist, I think it is important to focus on the art. There are too many that don’t and that is what creates boring art. I really just try to recreate the ideas that come to me. I’m not setting a sales goal or targeting a demographic. I just do what I do and what I can do. I am having a great time doing it. It can be done.
RC: With your many musical projects — especially the solo vocal releases and the work with John Zorn — what is it that your looking for or trying to express?
MP: Once again, I did not have a goal in mind. John offered me an outlet to experiment and I did. It was a great creative outlet.
RC: What are your goals with your label, Ipecac Recordings?
MP: To put out interesting releases, that we enjoy. To treat artists with the utmost respect. To be unique. And of course to have a proper home for my music.
RC: Do you consider the cultural ramifications of your output when making music?
MP: Christ no! My music has no cultural ramification. It is entertainment for others, work for me. I’m not recreating the wheel or curing a disease.
RC: Are you just having fun with whatever comes to mind?
MP: Life is good.
RC: Is Mike Patton a scholarly fellow? Do you read a lot, and if so, what do like to you read?
MP: I’m not scholarly, but I do like to read. I read a bit of everything. I enjoy both fiction and nonfiction.
RC: Given your obvious penchant for various musical styles, who are some of your all-time favorite artists?
MP: This is always a tough question. How ’bout Sinatra?
RC: Mr. Bungle and Fantômas put on the most intricate live shows I’ve ever seen. How extensive are your rehearsal sessions for tours and recording?
MP: Rehearsals can be pretty long and hard. That is why I always try to work with hard working musicians who are good players and can think on their feet.
RC: Is there anything else on which you’re working that you’d like to bring up here?
MP: I’m working on a lot. The first Peeping Tom record, new Fantômas & Tomahawk records, a record with the X-ecutioners and just finished an Ep with Dillinger Escape Plan. Of course for all the latest dial up www.ipecac.com.
Steven Shaviro: Stranded in the Jungle
Steven Shaviro is a postmodern seer disguised as an English professor at the University of Washington. His books and various other writings slice through the layers of our mediated reality and show what factors are at work underneath. He cuts open the tenuous sutures between academic fields and dissects contemporary culture like the slimy animal that it is. His book Doom Patrols: A Theoretical Fiction About Postmodernism (Serpents Tail, 1997) roams the land between the lines of traditional fiction and cultural commentary and comes back with dead-on insight and understanding. Continue reading “Steven Shaviro: Stranded in the Jungle”
Jared Souney: By Design
From riding flatland, ramps and street on his BMX bike to designing magazine layouts and T-shirts as well as stealing many souls from behind a shutter, Jared Souney is many things to many poeple. Those in the BMX world know him as a rider from New England who made the move to the Left Coast to do design work and shoot photos for Ride BMX magazine and beyond. Continue reading “Jared Souney: By Design”
David Weinberger: Small Pieces Loosely Joined
With ninety-five theses that redefined online markets and their prospective web consumers, The Cluetrain Manifesto (Perseus Books, 2000) dropped a virtual bomb on the virtual world. David Weinberger was one of its four authors. Therein he stated, “The web is viral. It infects everything it touches and, because it is an airborne virus, it infects some things it doesn’t. The web has become the new corporate infrastructure, in the form of intranets, turning massive corporate hierarchical systems into collections of many small pieces loosely joining themselves unpredictably.” With his new book, Small Pieces Loosely Joined (Perseus Books, 2002), Weinberger expounds on this idea. With insight and authority, he claims — among other things — that the web hasn’t been hyped enough. Continue reading “David Weinberger: Small Pieces Loosely Joined”
James Howard Kunstler: The City in Mind
How cliché it has become to note suburbia with disdain. But what do we do about it? The mass exodus from our urban centers since the 1950s has left our cities gutted and strangled. This flight combined with the proliferation of single-use zoning laws, lop-sided property taxes and the spread of the “big box” retailer has created what novelist Tom Robbins called “suburbs without urbs.” While traveling around Kennesaw, Georgia (a suburb of Atlanta) in late 1999 with a friend who’d just returned from four years of college, I noted how she kept pointing out rude structures and freeways, saying, “That wasn’t here, that wasn’t here, that’s new, that, too…” The five fastest growing counties in the country at the time were right around Atlanta. Everyone who’s returned to a city of any size after a hiatus as such has a similar story.
James Howard Kunstler has more such stories than most. He’s made it his business to document the ills of suburban sprawl, completely whacked zoning laws, and the politics of urban development, as well as the people who are doing things right. Starting with 1993’s Geography of Nowhere, Kunstler has given voice to something most of us never knew needed to speak.
Roy Christopher: What initially drove you to write about our country’s ever increasing suburban plight?
James Howard Kunstler: I observed the goddamned mess that we were making out of our landscape and townscapes and it occurred to me that this represented a significant problem for the future of our nation. Twenty-five years ago I was working ago as a newspaper reporter out of a brand new Modernist box office building on a spanking new suburban highway strip of malls, carwashes and muffler shops. I thought, “whoa, this shit is frightening. What are the implications?” Twenty years later, I started writing these books.
RC: I recently visited my parents who live in the Southeastern corner of Alabama, near the so-called “Circle City” of Dothan. The urban planners of Dothan built a circular bypass around Dothan (hence the name) — the Ross Clark Circle. Downtown businesses subsequently either perished or moved to the perimeter freeway (now ensconced in stripmalls, quick-lube joints, multi-acre parking lots and service roads and riddled by traffic lights – no longer much of a “bypass” in any sense of the word). My father and I engaged in many a heated debate about how bad things in Dothan were and how Enterprise (a local smaller town where I went to high school and where my parents spend much of their time) was quickly headed into exactly the same condition, the local planners having recently completed a circle around its perimeter.
How should the converted get the general populous (the unconverted and/or unaware) to understand and care about their civic environment?
JHK: I gave a speech in Birmignham, Alabama, three weeks ago, in which I suggested that we needed better reasons for defending our nation than just bargain shopping and fast food. Some guy got up during Q and A and denounced me, saying that to him (and, he implied, other folks in Birmingham) America was all about being able to choose whether to shop at the Walmart or the Kmart. Well, apart from the banality of that idea of patriotism, there is a whole argument to be advanced that the chain stores have exterminate local merchants — that is, put your neighbors out of business. And these neighbors, this merchant class that used to be present in every town big and small, comprised a big part of the middle class that took care of our civic institutions. Translation: the little league team used to be financed by Joe’s Hardware Store; now you have to get a grant from the state to cover the cost. In short, we are oblivious to the collateral costs of the choices me have made, and we are disgracing ourselves in the way we justify the destruction of our culture.
RC: Many authors (in my recent reading) who cultivate in fields tangential to yours (e.g. Neil Postman, Theodore Roszak, Kalle Lasn, and even Buckminster Fuller) focus on the evolution of technology’s effects on our times (television, computers, cars, etc.). Your position on cars is evident, but what’s your take on these developments in the context of urban design, civic life and our sense of community?
JHK: Well, we’ve turned our nation into a National Automobile Slum, from sea to shining sea. Parking Lot Nation. The greatest effect, apart from all the economic hazards and the logistical inconveniences of compulsory motoring, is that we’ve created 10,000 places that are not worth caring about. Imagine the corrosive effect of that on our national psychology. How soon before we become a land not worth defending? Anyway, I think we are generating so much anxiety and depression in our crummy everyday environments that there is not enough Prozac in the world to relieve it.
RC: What’s your opinion of the “culture jamming” and other movements aimed at reclaiming public space (e.g. critical mass, etc.)?
JHK: Critical Mass and other anti-car movements have been interesting symptoms of the widespread distress caused by these ghastly environments. They are mostly carried out by young men, who, in other cultures that are even more distressed, are throwing bombs and engaging in political violence, so the movements you mention are pretty mild stuff. As America melts down in the years ahead, mild stuff like “Critical Mass” may mutate into real bad civil disorder.
RC: Do you have any projects on the horizon?
JHK: My next book will be about the perils this nation faces in the next couple of decades, especially the disruptions we face when the cheap oil fiesta comes to its inevitable end. We are sleepwalking — even after 9 / 11 — into a whole range of problems, from the unwinding of our overly abstract financial system to the demise of our manufacturing capibility, to the end of the so-called “global economy” (a temporary set of business relations made possible by cheap oil), to climate change and epidemic disease. These will all synergize to create enormous problems in the world and compel us to live differently here in the USA.
David X. Cohen: Futurama’s Head (In a Jar)
My friend and colleague Tom Georgoulias let me run this interview in my book, Follow for Now.
David X. Cohen is the executive producer and head writer of Futurama, my favorite TV show. In case you haven’t watched the show, it’s about a pizza delivery boy named Fry who is accidentally frozen in a cryogenics lab and revived 1,000 years in the future. Instead of getting a chance to reinvent his life, Fry’s career implant chip predetermines that he, again, is destined to be a delivery boy. After a futile attempt to resist his future, Fry joins the Planet Express delivery company and works alongside several other misfit characters in similar circumstances. Continue reading “David X. Cohen: Futurama’s Head (In a Jar)”
MC Paul Barman: Architect of Dialect, Fulfiller of Dreams, Over-Educated MC Über Alles
“I love that we’re talking about this right next to the water,” says a prophetic Paul Barman. We’re sitting on the beach in San Diego just outside Cane’s Bar and Grill where MC Paul Barman is playing his first San Diego gig — with Mix Master Mike no less. Our casual, pre-show chat has turned to water, and he’s turned very serious. Continue reading “MC Paul Barman: Architect of Dialect, Fulfiller of Dreams, Over-Educated MC Über Alles”
Gareth Branwyn: Media Jam
Gareth Branwyn has been media hacking for nearly three decades. His book, Jamming the Media (Chronicle Books, 1997), is the media hacker’s bible, an invaluable sourcebook of resources, how-tos and examples written with evident working-knowledge, exhaustive research, and fearless wit. He’s also the “Jargon Watch” guy at Wired, runs the tech-review site, Street Tech, and has written several other books and countless articles on the web, technology, jargon, and alternative media. Continue reading “Gareth Branwyn: Media Jam”