Category: Marginalia

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Sandy Carson: Paradise Has Relocated

Longtime BMX homie and amazing photographer Sandy Carson has a show on display here in Austin at Okay Mountain Gallery. The opening on October 23rd was a bicycle scene reunion. We all gawked at Sandy’s photos, and geeked out on bikes, parks, and trails. A good time was had by all.

Here’s what the Okay Mountain site says about the show:

“Paradise Has Relocated” attempts to capture the lifeless remains and emptiness of a once thriving and historic island devastated by Hurricane Ike in September of 2008. Ike was the third most destructive and costliest hurricane to make landfall in the United States, destroying and flooding 75% of homes and landmass. The project deals with the physical dead space and ghostliness of Galveston- post hurricane. Each image whispers of an ordinary past lost to the ravages of Mother Nature. The everyday objects left behind in haste suggest former human inhabitation. The unoccupied landscapes, fractured structures and mundane interiors I have carefully composed compel the viewer to look beyond cultural stature and financial complexities, and question geographical location.

The geographic anonymity of my photographs prove that such devastation is not reserved for the third world but stand right on our doorstep. This is important to remember given the current state of world climate change. Unfortunately some believe that this may be the final blow for Galveston. With an already anemic economy and population decline that predates Ike by 50 years, survivors who are re-building or relocating, feel that their mythical land never fully recovered from the first Galveston Hurricane of 1900.

Sandy’s book Paradise Has Relocated is available from Blurb (where there’s also a full preview!). A percentage of the sales will go directly towards Hurricane IKE relief, so do good and buy a copy.

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Aesop Rock’s 900 Bats

Aesop Rock, who previously wrote here about breakfast, just launched a new website called 900 Bats — a creative resource for arts, information, and oddities.  It shows the breadth of his interest in art (i.e., video, audio, art, photos, etc.) and as an artist. It’s not his own artist site (try as I might to get him to do one), it goes way beyond something like that.

Aesop’s first post describes the concept:

In an effort to supply a sandbox for what I hope proves to be a multifarious and growing mix of contributors, I, with the help of Alex Tarrant and Justin Metros,  have created 900bats.com.  Original writing, photography, artwork, audio, and video content from varying sources will be posted regularly.

Contributors for the site so far include: Aesop Rock, Alex Pardee, Alexander Tarrant, Chrissy Piper, Colin Evoy Sebestyen, Coro, DJ Big Wiz, Jeremy Fish, Justin Metros, Kimya Dawson, Nick Flanagan, and Rob Sonic. Jeremy Fish did the illustrations for the site, and Alex Pardee supplied the logo. The site was named for the 900 bats that were killed by renovation workers at Bala Fort in Alwar district who put them on fire to avoid disruption in work.

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SXSW 2011: My Panel/Talks

Voting has begun for South by Southwest 2011. I have proposed two talks and one panel. I am hereby requesting your support. Click on the links below and vote for these ones:

INTERACTIVE: Disconnecting the Dots: How Our Devices are Divisive:
We drive cars to the gym to run miles on a treadmill. Inclement weather notwithstanding, why don’t we just run down the street? The activities are disconnected. We sit in close physical proximity with each other and text others far away. The activities are disconnected. Technological mediation creates a disconnection between physical goals and technology’s “help” in easing our workload. There are at least two types of disconnection enveloping our days: one between ourselves and our environment (e.g., pumping water vs. pumping iron) and one between ourselves and each other (e.g., individual distraction vs. global connection) with technology wedged in between in both cases. If our culture is essentially technology-driven, then what kind of culture emerges from such disconnections between our physical goals and our technologically enabled activities?

FILM: Building a Mystery: Taxonomies for Creativity:
There is a limit — a rule of the grammar, if you will — of the number of elements that the average story can carry. There’s a point at which too many elements cause one story to fall apart, a line across which something else (e.g., a sequel) is needed. This limit is qualitative to be sure, but it’s not hard to tell when it’s been exceeded. While building a theory and weaving a narrative are very different enterprises, one can see parallels in the amount of elements each will carry. It’s less like the chronological restrictions we place on certain activities (e.g., you must be 18 to vote, 21 to drink, etc.) and more like having enough cream and sugar in your coffee. It’s a difference like the one between hair and fur. So, how many elements make a good story?

MUSIC: Finding Success and Thriving on Chaos:
If you need help finding your way into the current music milieu or your way from a rut to a groove, this is the talk for you. Helmed by musicians with lengthy and successful yet unconventional careers and unconventional takes on the upended music industry (e.g., Paul D. Miller a.k.a. DJ Spooky, Dave Allen of Gang of Four/Shriekback, Aesop Rock, Rebecca Gates of The Spinanes, et al.), this panel will be stoked and stocked with helpful information, insight, and inspiration for the aspiring as well as the veteran artist. From punk rock to Hip-hop, all genres are welcome. The unserious need not apply.

Okay, so there are a million other awesome-looking panels and talks, but I must implore you all to vote for these. Voting closes on August 27th, so vote early and everyday until then. Please and thank you.

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Preston the Cat: R.I.P.

Suspected to have been dead for years, Preston the Cat finally received the call yesterday. He stayed at my parents’ house for seventeen years, through the tenure of two horses, and outlived Priscilla the Cat, Winnie the Dog, and Hershey the Goat. Like his archenemy, His Own Tail, he never liked me much, but we were almost friendly during his last days. At the time of his death, I only have one Preston-inflicted wound requiring a band-aid.

He is survived by Cindy (his initial owner), Moms (couldn’t care less about a cat), Jack (his primary caretaker who affectionately referred to him as “Worthless Furball”), myself, Push Broom, and his best friend Basket of ‘Tatas. His scowl, tail-hating neurosis, and intermittent but incessant knocking on the door will be missed.

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Return to Oz: McGoo Interviews Bob Osborn

Bob Osborn, owner of Wizard Publications, which published iconic magazines BMX Action (née Bicycle Motocross Action), FREESTYLIN’, and briefly Homeboy, as well as the book The Complete Book of BMX (1984), is a the kind of person the world could do to have a few more of. His free spirit and eye for talent indirectly influenced the course of my life. By hiring younger, kindred spirits on little more than a hunch (e.g., Andy Jenkins, Spike Jonze, and Mark Lewman), he changed the face and voice of BMX bicycles, as well as the lives of many who rode and read about them from the mid-70s to the early-90s.

McGoo McGruther, no stranger to the small but influential world of BMX, recently interviewed Osborn for Chop Cult, and I’m happy to report that his spirit is as free as ever, and he’s still rolling tough on two wheels.