Zizi Papacharissi: A Networked Self

Zizi Papacharissi is an academic powerhouse. Whatever you’ve been doing for the last fifteen years, she probably makes you look lazy. She holds a Ph.D. in Journalism from my own University of Texas at Austin, an M.A. in Communication Studies from Kent State University, and a B.A. in Economics and Media Studies from Mount Holyoke College. Since getting those, she’s been busy: She is a professor in — and the head of — the Department of Communication at the University of Illinois-Chicago, the author or editor of three books — most recently A Private Sphere (Polity, 2010) and A Networked Self (Routledge, 2010) — and countless articles and book chapters, and a frequent speaker and lecturer on issues of connectivity and community, as well as public and private concerns. Many thanks to Zizi for taking the time to discuss a little of all of the above with me.

Roy Christopher: If you had to sum it up for the uninitiated, what would you say your work is about? What are your major areas of concern?

Zizi Papacharissi: I am interested in social and political things people do online – and offline. I see little value in drawing a distinction between offline and online that treats the two as separate worlds and thus claims some of these interactions as real and others as virtual. To me, that is like suggesting that a phone conversation with some one is less real, because it becomes possible through the use of a medium. And many media historians have of course talked about how early reactions to the telephone prompted similar conversations about the complexion and reality of mediated conversations.

I do think it is meaningful, however, to think of offline and online spaces, and understand then how people traverse through these spaces in their everyday routines. People adjust and adopt their behaviors as they move from one space to another, so as to handle their interactions in a way that permits them to attain an optimal balance = happiness. Spaces draw out different aspects of our personalities and inspire us to do different things (or might leave us completely uninspired).  We also frequently design or reorganize spaces so as to suit our personalities. There are particular types of behaviors that work better or facilitate communication in certain spaces (for example, speaking loudly in crowded bars), but are utterly discouraged via the organizational logic of other spaces (yelling in a yoga class). I am very interested in how individuals develop behaviors that allow them to traverse through offline and online spaces fluently.

I do not find the term “social media” particularly useful. All media are social, in their own unique ways. To claim that some media are social implies that there are other media that are a-social, or anti-social. It also suggests social media are more social than other media not qualified by that label. I do not find that to be the case. The phrase also ascribes a certain  neutrality to the term medium, and I do not believe in that either (media are neither good, nor bad, nor are they neutral, á la Melvin Kranzberg). I prefer to think of technology as architecture — in case that was not abundantly clear already 😉

RC: danah boyd‘s equation for privacy entails context and control. With the convergence of technology and its blurring of boundaries you discuss in A Private Sphere (Polity, 2010) — especially those that define space and time, public and private, active and passive, producer and consumer — how are we to maintain control of these shifting contexts?

ZP: I agree with danah and find that this is a tremendously meaningful way of explaining privacy to the public and to policy-making communities. I have a slight preference for the term autonomy, over control. Perhaps it is because I am Greek 🙂 In A Private Sphere I use Deleuze’s work to explain how control is ultimately not about discipline. So, control, from the perspective of the individual or from the perspective of society, or institutions, is about offering a number of possibilities so that people can choose ‘freely’, while not being restricted yet still perfectly guided by a defined set of possibilities. Autonomy is about having the right to determine what those possibilities will be, to choose from them, or to refuse them altogether. Autonomy also is suggestive of self-reliance, independence, self-governance and reflexivity of the self – or individuation.

I suppose I find that ultimately, life is about philosophizing your way out of  the concept of control to a state of autonomy, and that might be why I am partial to the latter word. But in the end, you know, it is just a word. A definition.

RC: The web and mobile devices have changed the ways we connect with each other, but has social media really changed the nature of those connections? (i.e., some claim that Facebook is changing how the youth define “friendship.” I know what the literature says on this, but I wonder what you think.)

ZP: The youth has always redefined things, and I hope they never stop. It is what they do best! Otherwise, what is the point of being young?

On the topic of “friendship”, the literature shows that people handle their friendships in different ways across different spaces, and that has always been the case. We have always had friends from a number of social spheres (work, college, childhood, through mutual/spousal/ familial acquaintances), sometimes these spheres overlap and sometimes they do not, and we socialize with friends on a number of spaces, including spaces facilitated by internet platforms. Friendship means different things to different people. We also adjust and evolve our perspective on friendships as we mature through the different cycles of our lives. So everything that “the youth” is doing on Facebook needs to be understood in this context.

So, if anything, we might say that the word is being redefined, not the actual meaning of friendship, or closeness. It is a matter of language evolving, so as to reflect our practices. Weak ties can be actually be very strong, but is that really a term to be used to describe anyone? Who wants to be told:  “I do not consider you a friend, but you sure are a meaningful weak tie to me” or “Btw, I also consider you an important acquaintance.” So, as a society, we must come up with words that value and provide social context for these connections that may now be maintained and activated in more convenient ways.

Friendship  is an abstraction, a word invented to refer to and measure other emotions that are also aggregates and temporally sensitive. But friendship, or whatever it might be called in the future, is not going anywhere. It has always been a survival strategy for social beings, and will always be.

RC: Along the same lines, I’ve been thinking a lot about the way that the adoption (or lack thereof) of communication technology in general changes the idea of communication (what I’ve been calling the “Tyranny of Adoption”). For instance, the diffusion of the cellphone has made it a personal assumption, a requirement in many cases (One can see this with social networking sites and lifestreaming media as well). How do we temper the spread of technology with our personal needs and desires?

ZP: I think we need to find a place for technology in our lives. In that sense, we blend technology with our own humanity and resist or challenge the tyranny of adoption. In our everyday lives, we routinely make decisions about what works or what does not. So, we do not choose to buy and use just any car, we buy the car that will fit our needs, our budget, our personality. We also choose to not buy a car, and rely on public transport. We choose clothing, houses, appliances that are compatible with our lifestyles and enhance our lives. We may not always make successful or optimal choices, but we are driven by the need to select. At the same time, our choices are shaped  by the options we have  at hand. And our socio-cultural context may present some of these options as more appealing  or popular than others.

I am not sure that we will ever be able to fully escape the tyranny of the popular, or adoption. Afterall, the capitalist backbone of our economic system rewards the popular. But I think of it less as a tyranny and more of as a habitus. Ultimately, they may both be understood as systems of control, but I suppose a habitus also embeds the notion of reflexivity, socio-cultural context, taste – it is a richer way to think about this. So, in a sense, we might think of not the tyranny of, let’s say, Facebook adoption, but rather, the Facebook habitus, as a way of socializing us into (and remediating) schemata, tastes, and habits  about friendship.

RC: Are you working on anything, have anything coming up, or just a topic I missed that you’d like to mention here?

ZP: A lot of people these days are interested in the notion of affect, or jouissance, and affective networks. I think there is a lot of potential in thinking about affect, as it permits us to understand content creation as both play and work; to look at the internet, in Trebor Scholz’s terms, as both playground and factory.  Lately I have been very interested in the performative aspect of play online, specifically as it applies to performances of the self in everyday life. So I have been reading a lot of performance theory, and working with the “as-if” aspect of play to understand how people imagine, perform, then redact and remix identities online.

Generation BMX: New ESPN Piece

I finally have a new piece up on the ESPN BMX site. This one is about the generational differences between first and second generations of riders. Heraclitus once wrote that generations turn over every thirty years. Well, it’s about that time.
You’re right, Roy, you’re hopeless. Hopelessly obsessed with a time in your sport that died a long time ago… — McGoo
Roy Christopher executes a Backwards Elbow Glide at a Jacksonville NBL contest circa 1990. (photo by Peter Cowley)
Here’s an excerpt:
The experience of a BMXer today is much more likely to be mediated by technology than it was in the ’80s. Given the proliferation of technology into every aspect of our lives, that’s not much of an insight, but hear me out. In addition to the lack of dope video games, the riders of thirty years ago were also missing out on the parks. There were like three ride-able skateparks in the whole country. Now there are at least that many in every city of any size whatsoever. Where the past was spent riding curb cuts, banks, walls, streets, and backyard ramps, today the terrain consists of those as well as many human-made options. It makes for different riding, different tricks, and different values.
The full piece is up today. As always, thanks to Brian Tunney for the opportunity and for coordinating these things.

Don’t Deprive the World of Your Ideas: Four Books

It’s difficult for me to even think about marketing or branding without thinking about Scott Belsky. His Making Ideas Happen (Portfolio, 2010) and the whole 99%/Bēhance/Action Method is as close to a working system for this stuff as I’ve seen. Belsky says to identify your differentiating attributes and emphasize them. Doug Rushkoff once told me to give people something they can’t get anywhere else, and Howard Bloom once said that if you’re not actively marketing yourself, then you’re depriving the world of your ideas. This is how you stand out without a doubt.

Besides Belsky’s, I have come across four other recent books on the topic of self-promotion and breaking through the cluttered airwaves. Even the airwaves specific to this topic are noisy, so if my reviews seem cavalier, it’s because I only want to give you a general sense of each of these books. If one piques your interest, I highly recommend checking it out.

On the very first page of his book Disrupt: Think the Unthinkable to Spark Transformation in Your Business (FT Press, 2010), Luke Williams cosigns the statements above, but makes strong qualifications thereof. “Novelty for novelty’s sake” is a resource killer, and customers seek the familiar. Differentiating yourself is one thing, being different is entirely another. It’s not about differentiating, it’s about disrupting. “Differentiate all you want,” Williams writes, “but figure out a way to be the only one who does what you do, or die” (p. 2). The full “Disruptive Thinking” plan is more complex than that, of course, but that’s its most basic premise. Williams is a Fellow at frog design and an Adjunct Professor of Innovation at NYU Stern School of Business, so this stuff is his stuff. His book deserves to be at the top of this list.

I’m trying to change the world before I change my mind.
Pete Miser

The subtitle of The Dragonfly Effect by Jennifer Aaker and Andy Smith with Carlye Adler (Jossey-Bass, 2010) reads “Quick, Effective, and Powerful Ways to Use Social Media to Drive Social Change,” but before you scroll to the next book, hear me out. Aaker, Smith, and Adler have put together a crash course in achieving the ever-elusive just noticeable difference for your big ideas.

A dragonfly has four wings, and the dragonfly effect has four skills: focus, grab attention, engage, take action. Their first case study (Team Sameer and Team Vinay) yields the following list. Some of these should sound familiar (these are from How to Do Something Seismic–and Create a Movement by Robert Chatwani):

  1. Stay focused; develop a single goal.
  2. Tell your story.
  3. Act, then think.
  4. Design for collaboration.
  5. Employ empowerment marketing.
  6. Measure one metric.
  7. Try, fail, try again, succeed.
  8. Don’t ask for help; require it.

I love these, and that last one, seemingly counterintuitive, is quite brilliant. And there are hundereds more in here. The Dragonfly Effect is a solid system for success in our media-saturated times.

If you’re more interested in starting a movement, a campaign that focuses more on people and passion than products and projects, then Brains on Fire by Robbin Phillips, Greg Cordell, Geno Church, and Spike Jones (J. Wiley, 2010) is the book for you. These authors aren’t writing about product launches and opting-in. They’re writing about conversations and engagement. The clutetrain might be still making the rounds, but these folks are taking it to new stations. And now that the technology has caught up with the ideas, so can you.

“Markets are conversations,” stated The Cluetrain Manifesto (Perseus Books, 1999), and conversations are where movements start. Participation does not equal engagement, but Brains on Fire employs eleven lessons in getting from the former to the latter. From “Movements Start with the First Conversation” (Lesson 2) and “Movements Empower People with Knowledge” (Lesson 5), to “Movements Have Shared Ownership” (Lesson 6) and “Movements get Results” (Lesson 10), this book is as fun as it is fearless.

I found out about Brains on Fire from Scott Stratten, fellow Geekend 2010 speaker and author of Unmarketing: Stop Marketing. Start Engaging (J. Wiley, 2009). Unlike some of the authors above, Stratten tackles more traditional marketing tactics (e.g., cold calling) in less traditional ways (e.g., giving things away). He also often tries too hard to be funny. That, along with the traditional marketing buzzwords found throughout the book, make it difficult to take some of this stuff seriously. Reading this, I often got the feeling he wasn’t talking to me.

With that said, Stratten’s ideas are good. If you’re looking for a quick guide (the chapters herein are very short, easy to read one or two in just a few minutes) on how it’s done now, Unmarketing is a damn good start.

Getting focused, truly differentiating yourself or your campaign not just for differentiation’s sake, involving and engaging your audience, and being as open and transparent as possible are not just suggestions for success, they are how it’s done now. These four books (along with Scott Belsky’s Making Ideas Happen and the ever-relevant Cluetrain Manifesto) are a crash curriculum in current marketing and spreading ideas. Don’t deprive the world of yours. Get them out there.

Daylight Savings Tribe: SXSW 2011

Sometimes our Earth’s orbit brings us closer to other heavenly entities. Last Saturday for instance, our own Moon was closer than it has been in twenty years. Well, annually in mid-March, we collide headlong into another planet, a clusterfuck (as Buckminster Fuller would say) of talky panels, film screenings, and live shows that is known as South by Southwest, or more commonly by its planetary initials SXSW. This was only my second visit and the first at which I have spoken. The daylight saving’s time wormhole swallowed up a few key things and possibly a few people on Sunday morning, but I’m pretty sure everything I said about last year still holds. The panels are good, but the side conversations are the goods.

Our tribe for SXSW Day #4: L to R: Dave Allen, Merrick, Shivvy, Roy Christopher, and Michael McSunas.

My favorite locations on panel planet this year, included “Indie Success: Caching in on Collaboration,” a discussion of creativity and collaboration with Kenyatta Cheese, Heather Gold, Allee Willis, and Mary Jo Pehl. I met Kenyatta at SXSW last year because he was on a panel with my friend Alice Marwick, and I met the awesomely multi-talented and hyper-driven Heather at Geekend 2010 after my talk there. This is how the tribe grows.

Kenyatta is a beacon of positivity. He is just a benevolently inspiring presence. His words are strong yet playful at the same time. I ran into him and Tricia Wang (these two) serendipitously one afternoon on 6th Street, and my day was just completely made. “I am Kenyatta Cheese, and I am of the web,” he opened at this panel, and when the legitimacy of his last name was questioned, he said, “I didn’t choose my name, but I’ve chosen everything since.” Believe that.

The web allows us to create and distribute the most mundane of our thoughts, but getting them to the point of getting them out there is often a large part of the struggle. Heather insists that we need to give ourselves permission to create, and Mary Jo Pehl put it, “it’s so freeing to let go of the idea of quality.” Songwriter and artist Allee Willis posts her creations as they happen. She said that being a happy artist means knowing your comfort zone and getting out of it. She keeps every iteration of everything she does, 42,000 terabytes’ worth. It’s more about the process than the product (This was a common thread this year, as even 4chan founder Christopher Poole said in his keynote, “It’s the process at which you arrive at the product that is fascinating.“) Find the balance to corrupt the balance. You can’t learn from perfection. Let it go, work with others, and release your darlings. This is good.

I also caught a great talk on Gamestorming by the authors of the book of the same name, Dave Gray, Sunni Brown — whom I’d met in the registration line — and James Macanufo. As you know from my previous posts about notebooks, I love attempting to represent ideas visually — with pens and paper. Well, the Gamestorming crew is all about that. They encourage us to think of meetings or projects as games and to pursue them accordingly. James also encouraged creating artifacts, that is, writing things down. “If paper didn’t exist,” he said, “we’d have to invent it again.” I cannot be more supportive of these ideas. I love this stuff.

One of the main themes from last year — context (or lack thereof) — popped up time and again in discussions this year. Much to the chagrin of several reviewers of Follow for Now, and when the web started inflating and people were getting hired as “content creators,” I toyed with the idea of being a context creator. I still think it’s a viable task (I may put it down as my occupation on my 1040 this year), and so does my good friend, fellow traveler, and SXSW partner-in-crime Dave Allen. It seems like the core of what Dave and I — and our mutual friend Jeff Newelt — do is make connections and provide context for them. I see it like this: at its most basic, human interaction consists of three things: 1) contact, 2) content, and 3) context. They can occur in any order or simultaneously, but all three all have to exist in order for meaning to shine through. Leave one out, and meaning leaks.

Historical context is especially important and the most neglected, and that’s the main point of Dave’s post on SXSW this year. Our digital archives are so vast that we have access to much of the past, but no way to contextualize it in time. I am digressing, but this is a problem Dave and I talked about regularly this week and will be exploring further in the future. The idea is also deeply embedded in Tricia Wang‘s work (and subsequent panel, “Sleeping at Internet Cafes: The Next 300 Million Chinese Users“) in on the next internet community in China. As Geert Lovink once put it, “The New does not emerge. It erupts, then fades away.” We have to keep it in context.

Thanks to Jeff Newelt, Dave Allen, and Ume, I managed to see screen-scramblers Eclectic Method three times during SXSW. They do a multimedia remix show that’s like they’re flying a plane, driving a car, and conducting a train all at once: It moves in every direction, and they somehow keep it controlled. Their show on Sunday at the Seaholm Power Plant was huge. Just HUGE. They played the much smaller Pepsi Max event on Wednesday (just before the legend Pharoahe Monch), and a short set at the Austin Music Hall the next night (pictured).

The line-up that night was bananas: local favorites Ume, ‘Bama trunk-popper Yelawolf, Texas representative Trae the Truth, a DJ set by Erika Badu, Eclectic Method with Childish Gambino AKA Donald Glover, and the legendary Wu-Tang Clan. I saw The People’s Champ Paul Wall on his way there and Bam Margera backstage. Bananas…

Ume filled the cavernous venue with their joyous noise sounding the best they’ve ever sounded. No offense to their old drummer Jeff, but the addition of new drummer Rachel really steps up their sound. They’re bound to finally smash the next level now… I was bugging out so hard during Yelawolf’s set that it prompted Eric from Ume to tweet, “It is fun watching @RoyChristopher have fun.” (Favorite. Tweet. Evers.). Yelawolf killed it, and I certainly enjoyed myself.

After several discussions with folks at the show, we concurred that in order to legitimately claim the the Wu-Tang Clan was in the building, there had to be at least five of the extant members present. Well, We got U-God, Cappadonna, Inspektah Deck, GZA, and Ghostface Killah — just enough for the city. They were plagued with sound system problems, mainly screeching mics, but the energy was at a feverpitch. The five of them eased out on stage one by one, exchanging verses, and when Ghostface finally emerged, I thought the Austin Music Hall was done for.

Rob Sonic reppin' the Well-Red Bear

Somehow since last time I’d seen him, Rob Sonic had become convinced that I didn’t love him anymore. Fortunately he came back to town with Aesop Rock and DJ Big Wiz (collectively known as Hail Mary Mallon), and I was able to profess my love to him anew. The boys were in town to rock the back patio at Home Slice Pizza. They brought their friend Kimya Dawson (see the clip embedded below), who made me weep like a baby every time she took the stage. Aesop Rock, Rob, and Wiz did a quick but thorough mix of old and new material, all of which was the toppest of notches. Cannot wait to hear all of  their new records (several in the works from these folks).

Somehow, my man Merrick (of Music Impacts — more on this project on the site later) got us into the VIP at Perez Hilton’s party at The Moody Theatre, where we drank free drinks and watched Liz Phair freaking own the place. No small feat considering the size of that monstrosity. We stumbled off into the night not long after her stellar set (which included classics like “SuperNova,” “6’1″,” “Flower,” and closed with “Fuck and Run”).

Not Liz Phair.

A ten-day orbit of fun and stimuli like this makes saying “thank you” seem ridiculous, but I must try anyway. Many thanks to old friends Dave Allen, Jeff Newelt, Kenyatta Cheese, Heather Gold, Kerrisa Bearce, Travis McCutcheon, Miriam and Jake Hodesh from Geekend, Aesop Rock, Rob Sonic, and Big Wiz, as well as Lauren Larson, Eric Larson, and Rachel of Ume (and mutual friends Andrea, Jessica, Ronnie, and Chad), for getting me into stuff, buying me drinks, and just for simply being my friends.

High-grade humans I met this year whom I must thank include Donna Coxon-McCory, Merrick and Shivvy of Music Impacts, artist Gary Baseman, Ian and Johnny of Eclectic Method, their manager Justin Bolognino, Char Zvolanek, Michael McSunas, Shadamation, Mark E. Johnson from The University of Georgia, Brady Forest from O’Reilly, Sunni Brown, Zadi Diaz, Steve Woolf of Blip TV and Epic Fu, Tricia Wang, Kelly Khun, Cecy Correa, Stephanie Spear, Lauren Rae Bertolini, Amy Allcock, Dang Nguyen, Miriam Shoemaker, Kim Stezzi, and Brian Scipione of Sonic Living: You all made this year what it was, mind-twistingly awesome. And to those I missed: Michelle Rae Anderson, Zachary Dominitz, Chris Grayson, Sloane Kelley, Doug Stanhope, Brendon Walsh, Mark Budgell, Mark O’Sullivan, and Paul Iannacchino, Jr: Next time.

I walked out of my place at midnight on Day Number Nine, and I could hear the distant drone of a million bands still playing downtown. You can’t worry about missing something on Planet SXSW, because no matter what you’re doing, you’re always missing something.

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Here’s Kimya Dawson and Aesop Rock (a.k.a. Poltergasm!) doing “Delicate Cycle” at Home Slice Pizza on March 19, 2011 [runtime: 4:33]:

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TEDxAustin 2011: Right Now.

Quoting Ray Kurzweil, TEDxAustin co-curator Nancy Giordano opened the day by saying that as humans we’re prepared for linear change but completely unprepared for exponential change. We were certainly unprepared for the full day of potential change she and the TEDxAustin crew assembled in the Austin Music Hall on February 19th: Right Now. Giordano warned us a few times of “intellectual whiplash” when the schedule leaped from one topic to entirely another. She never warned us about “expectation whiplash” though. Right Now was a rollercoaster.

Several people* have pointed out that it’s easier to imagine the end of the world than the end of capitalism. Sunny Vanderbeck isn’t after the end of capitalism, just capitalism as we know it. In one giant leap toward fixing it, he takes a long-view that includes responsibility for the world in which business is done over short-term gain. In another, he advises openness. No more relying on sweatshops or sneaky offshore practices. If we make and demand that processes be more transparent, change happens. Change is a contagion. … Ralph Wagner showed us the future of biotechnology, then Robyn O’Brien, author of The Unhealthy Truth (Crown, 2009), showed us how it can go horribly, unhealthily wrong. Here’s hoping her contagion catches on. She showed us crazy data on genetic food modification, pesticides, and food allergy and cancer rates in the U. S. versus the rest of the world. These are not a pretty pictures of our country or its policies. …  Runner Gilbert Tuhabonye advised us to do our work with joy. He has done his under many circumstances. He advises joy.

“Language and culture are the software of the 21st century,” proclaimed Sylvia Acevedo, CEO of ComminuCard. Um, I’m no rocket scientist (Acevedo is. No, really.), but I would argue that language and culture were the software of every century prior to the 21st. Software is the software of the 21st century. … Osama Bedier monstertrucked through his Skyped-in presentation with his back thrown out and taught us about the history and presumably the future of payment. By way of comically extended metaphor, he also taught us why the limitations of the Space Shuttle are based on the width of horses asses. It’s a great story, and I won’t give it away here. Gregory Kallenberg illustrated how creative media can bring polarized opinions together with his documentary Haynesville (2009) about a giant natural gas reserve (170 trillion cubic feet or the equivalent of 28 billion barrels of oil) in the backwoods of Louisiana. It’s an amazing story of hope and possibility. … Poet and teacher Joaquin Zihuatanejo brought tears to the eyes and chills to the skin with his starkly told stories and dynamic delivery thereof. If you’ve ever doubted the power of words, look up Zihuatanejo. … After we all got hyped up, Flint Sparks made sure everyone got very relaxed. The bumpers and graphics on the screen between and during the talks were excellent, and I was stoked to see Public School among the credits.

In each of our packets, there was a list of three people TEDxAustin thought we should meet. As most conference-goers know, the sidebar conversations are usually as important as the planned speakers, the serendipity of bumping into the new. As John Maeda once put it, “serendipity comes from differences.” Unfortunately, we tend to seek out similarities, and I found some like-minds in the halls (big ups to Kevin and Paul from M3 Design, Todd the freelance writer, and Travis the designer), but even my micro-experience echoed the larger impression of a bunch of white folks patting themselves on the back. By the end of the day, no one had found the three people on their suggested list.

Gary Thompson has some great ideas about how the internet and the cloud should serve us better, but he’ll have to help Sunny Vanderbeck fix capitalism before he’s likely to be able to implement any of them. Companies still want our information to stay separate because it serves them — and capitalism — that way. … Peter Hall was my favorite speaker by far. He talked about the difference between maps and mappings, and showed lots of great examples. He’s at my own University of Texas at Austin, so look for me to be tracking him down soon. … Lionel Tiger, author of The End of Males (St. Martins Press, 2000) and professor from Rutgers University who coined the term “male bonding,” came to defend the men. He made many interesting points about boys growing up believing they’re just bad girls, but the reason we don’t have men’s studies departments and courses on masculinity is the same reason we don’t have White Entertainment Television: It has always already been that. The study of history up until the last 30 or so years has been the study of men. We’re still doing it wrong, but we’re doing it.

TEDxAustin: Right Now ended with a bit of a whimper and not a bang. Tavo Hellmund was the most “sought-after” speaker of this event, but I couldn’t really figure out why. His talk was on the benefits of bringing a Grand Prix Formula 1 facility not only to the United States but to southeast Travis County, which he’s doing. It seemed antithetical to the piped-in Brené Brown talk we’d just heard. … He and Dustin Haisler should talk about generating interest in their communities. The messenger is the message, Hellmund seemed to be saying. Haisler, who spoke last, has obviously read Clay Shirky’s last book, but not Dan Pink‘s. Harnessing the cognitive surplus to renovate local government looks great on a comment card — it’s like democratizing democracy — but incentivizing it with virtual money doesn’t sound feasible. I don’t want to play Farmville with the players of Farmville, so I hardly want my city government run by them. Incentive comes from within. Engagement starts with the person, not the external rewards.

I left TEDxAustin inspired and very glad I managed to slip in, perhaps with a few of my expectations violated. The organizers, curators, participants, and volunteers all deserve massive gratitude and credit for putting this thing together.

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Here’s one of the videos of one of the talks we watched at TEDxAustin. It’s Brené Brown from TEDxHouston 2010, and it’s awesome [runtime: 20:45]!

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* Michael Hardt, Mark Fisher, Fredric Jameson, and Slavoj Žižek, at least.

Geekend Notes by Raise Small Business Marketing

Hilton Head, South Carolina’s own Raise Small Business Marketing did a brief summary and write-up of my “How to Do Stuff and Be Happy” talk from Geekend 2010. Here’s the run-down:

I was excited for this session, mainly because doing stuff and being happy are two major challenges!  Roy Christopher gave a laid back presentation that basically went through some ideas on how to keep your focus and try and stay happy while actually getting things done.

Roy covers a lot of the information that was in his presentation on his own blog right here so we won’t go over all of that however some of the things we really took away from the session:

  1. Roy was a competitive Rubik’s Cube Player (established geek cred for sure!)
  2. Find people who have done what you want to do and emulate them
  3. Feed and water your mentors- let people know you respect them and why
  4. Save your own story
  5. Keep a journal
  6. Keep a promise file
  7. Get organized
  8. Trust your curiosity

You can read the post here.

Many thanks to the folks at Raise and Geekend 2010.

Nubile Noir: Veronica Mars

One writer described Veronica Mars during her pre-fandom days as “outrageous,” writing that the writing was “clunky,” the one-liners too “crisp,” and the teens too “clever and in charge.” The show was saved in her book when someone called it “camp.” That made it all click for her. I only take issue with that designation because I have a narrower definition of camp (I immediately think John Waters), but by her estimate, if Veronica Mars is camp then so are the Scream movies. The thing she’s referring to is the over-the-top, in-your-face stance of the show. It’s not as if Andrew WK wrote the dialog, but you know everything is not this well-scripted IRL, and dramatic events don’t self-organize into perfect act breaks. Well, that’s probably because… It’s a fucking TV show!

With that said, it’s one of the best TV shows I’ve ever indulged in. Kristen Bell’s depiction of Veronica Mars is more than enough to carry this show, but the inimitable Enrico Colantoni (Just Shoot Me and Flashpoint; as her dad Keith Mars), Percy Daggs III (as Veronica’s sidekick Wallace), Jason Dohring (as complex pretty boy Logan Echolls), and Francis Capra (as bad boy Weevil) as well as minor characters like Tina Majorino (Napoleon Dynamite; as the aptly named computer wiz Mac) all do major heavy lifting.

Annoy, little blond one! Annoy like the wind! — Logan Echolls

Rob Thomas (not to be confused with that lame Matchbox 20 dude) put this show together during a five-year dry spell in what had been a flood of good fortune in Hollywood. According to Neptune Noir (Benbella, 2007), the critical essay collection he edited, it saved his career and his soul.

The series so far (I wanted to wait until I watched the whole thing to write this, but I’m only on the second season, and I’m convinced. I also wanted to wait until I finished the book, but the book keeps spoiling the series!) mixes elements of Heathers (snarky, dark humor), Twin Peaks (the haunting of the show by Lily Kane, just as Laura Palmer did in Twin Peaks), 21 Jump Street (whip-smart whippersnapper detectives), American Beauty (stereotypes on the surface, crazies underneath), and several other teen dramas and comedies. The writing is razor sharp, the plot twists are white-knuckled, and the characters are as multidimensional as they are memorable. It’s everything I want from a TV show or a movie.

And speaking of, the way we watch hath changed. If it weren’t for the streaming of TV online, I wouldn’t know the first thing about this show. This is important for a show like Veronica Mars, which is available on Netflix Instant, or other cult favorites like Twin Peaks: The ratings don’t matter online. A show that critics loved but mass audiences barely got can thrive in the minds of millions through internet-enabled rediscovery. In the case of Veronica Mars, this is good.

So, while I’ve never owned a television, I do love the medium done brave and done well. And Veronica Mars is a prime example of that. I am hereby recommending it to you.

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Here’s a fan-made trailer for season one [run time 2:16]:

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Get Em to the Geek: Geekend 2010

I scarcely know where to start. Geekend is the beautifully geeky brainchild of Sloane Kelly, Jacob Hodesh, and Miriam Hodesh. 2010 marks the second annual meeting of what everyone familiar hopes will be many years of the interactive conference. It has just the right balance of size and intensity.

I didn’t get to Savannah until late on Day 2, so I roamed around downtown by myself Friday night. I stepped into a raucous karaoke session and had the biggest beer I’ve ever seen. No problem not finishing it because in Savannah, you can drink in the streets. To-go cups are a normal courtesy, and I took one and finished my beer, strolling languidly back to my hotel.

Immediately upon arriving at the Coastal Georgia Center on Saturday morning, I was rushed into the geek melée. Swag bag and badge in hand, I sneaked off to the speakers’ green room to finish the final tweaks on my presentation. People always say of SXSW Interactive that the best stuff happens in the margins, that the sideline conversations are always better than the panels and talks. Well, as much as it resembles SXSWi, Geekend is not quite like that. I’m not saying this because I was one of the speakers this year, I’m saying it because Geekend’s organization and size lends itself to round-the-clock stimulation. Sure, the chats in the hallways and at dinners are productive, enlightening, and awesome, but they do not outshine the scheduled talks.

My talk was called “How to Do Stuff and Be Happy” and was loosely based on my previous post of the same name. It seems to have gone over well, and I had numerous inspired chats with attendees and other speakers over the rest of the time I was in Savannah: so many amazing people all in one beautiful city for a very limited time. From futurists (e.g., Frank Spencer and Scott Smith) and future-of-music geeks (e.g., Aaron Ford and Jack DeYoung), to indie entrepreneurs (e.g., Noah Everett and Scott Stratten) and big-media programmers (e.g., Oscar Gerardo and Craig Johnston), as well as just plain badasses (e.g., Maria Anderson, Zachary Dominitz, Pete Hottelet, et al.): It’s a pressure cooker of inspiration.

The closing after-party at SEED Eco-Lounge was the perfect, weekend-ending, chaotic spectacle: fire juggling, ribbon/curtain dancing lady (check the photos), loud, mashed-up hits, and literal dancing in the streets. Geek bedlam!

Geekend 2010 was one of those events where saying “thank you” to the organizers, the speakers, and all of the attendees just sounds ridiculous–but I’ll say it anyway: Thank you! See you next year!

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Here are a bunch of pictures I’ve gathered from the event. Many thanks to the camera-wielding folks I borrowed these from (e.g, Sloane Kelly, Jennifer Parsons, Josh Branstetter, and Rhiannon Modzelewski). And a special thanks goes out to Alex Sandoval and Rhiannon Modzelewski for hauling me around, taking me to the fair, and letting me sleep on their couch that last night. You folks are saints!

danah boyd: Privacy = Context + Control

danah boyd is one of the very few people worthy of the oft-bandied title “social media expert” and the only one who studies social technology use with as much combined academic rigor and popular appeal. She holds a Ph.D. from UC-Berkeley’s iSchool and is currently a Senior Social Media Researcher at Microsoft Research New England and a Fellow at Harvard University’s Berkman Center for Internet and Society. As the debates over sharing, privacy, and the online control of both smolder in posts and articles web-wide, boyd remains one of a handful of trustworthy, sober voices.

boyd’s thoughts on technology and society are widely available online, as well as in the extensive essay collection, Hanging Out, Messing Around, and Geeking Out (MIT Press, 2009). In what follows, we discuss several emerging issues in social media studies, mostly online privacy, which has always been a concern as youth and digital media become ever more intertwined.

Roy Christopher: Facebook is catching a lot of flack lately regarding their wishy-washy Terms of Service and their treatment of their members’ privacy. Is there something happening that’s specific to Facebook, or is it a coincidental critical mass of awareness of online privacy issues?

danah boyd: Facebook plays a central role in the lives of many people. People care about privacy in that they care about understanding a social situation and wisely determining what to share in that context and how much control they have over what they share. This is not to say that they don’t also want to be public; they do. It’s just that they also want control. Many flocked to Facebook because it allowed them to gather with friends and family and have a semi-private social space. Over time, things changed. Facebook’s recent changes have left people confused and frustrating, lacking trust in the company and wanting a space where they can really connect with the people they care about without risking social exposure. Meanwhile, many have been declaring privacy dead. Yet, that’s not the reality for everyday folks.

RC: Coincidentally, I just saw yours and Samantha Biegler’s report on risky online behavior and young people. The news loves a juicy online scandal, but their worries are always seem so overblown to those in-the-know. What should we do about it?

db: Find a different business model for news so that journalists don’t resort to sensationalism? More seriously, I don’t know how to combat a lot of fear mongering. It’s not just journalists. It’s parents and policy makers and educators. People are afraid and they fear what they don’t know. It’s really hard to grapple with that. But what really bothers me about the fear mongering is that it obscures the real risks that youth face while also failing to actually help the youth who are most at-risk.

RC: NYU’s Jay Rosen maintains that his online presence is “always personal, never private.” Is that just fancy semantics or is there something more to that?

db: The word “private” means many things. There are things that Jay keeps private. For example, I’ve never seen a sex tape produced by Jay. I’ve never read all of his emails. I’m not saying that I want to, but just that living in public is not a binary. Intimacy with others is about protecting a space for privacy between you and that other person. And I don’t just mean sexual intimacy. My best friend and I have conversations to which no one else is privy, not because they’re highly secretive, but because we expose raw emotional issues to one another that we’re not comfortable sharing with everyone. Hell, we’re often not sure that we’re comfortable admitting our own feelings to ourselves. That’s privacy. And when I post something online that’s an in-joke to some people but perfectly visible to anyone, that’s privacy. And when I write something behind a technical lock like email or a friends-only account because I want to minimize how far it spreads, that’s privacy. But in that case, I’m relying more on the individuals with whom I’m sharing than the technology itself. Privacy isn’t a binary that can be turned on or off. It’s about context, social situations, and control.

RC: Hannah Arendt defines the private and public realms respectively as “the distinction between things that should be hidden and things that should be shown.” How do you define the distinction?

db: I would say the public is where we go to see and be seen while minimizing our vulnerabilities while the private is where we expose ourselves in a trusted space with trusted individuals.

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Ed. Note: It has come to my attention that what Jay Rosen actually said was, “In my Twitter feed I try to be 100 percent personal and zero percent private.” Apologies to everyone, especially Jay, for the misquote.